Jacob Ganz
[Copyright 2024 NPR]
-
Traditionally, the folks at NPR Music make a list of their 100 favorite songs of the year. But this time, they expanded the list to 302 songs and made a really long mix tape.
-
Whether you use it as a balm or an echo chamber for your despair, Ware's second album is a celebration of gloriously messy feelings, each tamed by her soft touch.
-
After two solid albums, Too Bright is something shockingly new for Perfume Genius: a set of muscular, magnificently controlled songs that explore darkness inside and out.
-
All over its darkly shimmering second album, the band showcases a remarkable ability to pull listeners' strings. Hundred Waters' members make music to burrow deep into, to obsess over.
-
Nothing on Metamodern sounds forced; Simpson has perfected the trick of distilling classic country from many eras and moving away from it at the same time.
-
Highly emotional rock that reads as low-stakes at first, Lost in the Dream is evocative and pleasant if you let it float by in the background. But it's made with hooks that sink in deep.
-
A pinch of melody, a dash of groove. Pop music is built on making a song sound just new enough to be intriguing. So what happens when one song sounds a little too familiar?
-
Call it diversity or a lack of consensus, but no single act dominated this year's awards. Instead, the Grammys spread the love, though rock bands — including The Black Keys and fun. — fared well.
-
Page had one of the biggest-selling singles ever with her version of "The Tennessee Waltz."
-
The cello ensemble plays all 20 of the songs written and published as sheet music — but not recorded — by Beck.