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Part two of Jon M. Chu's splashy musical doesn't justify its own full-length movie, but it's clearly been made with love — and a deep commitment to the spirit of the material.
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King's 1982 novel was set in the year 2025, in a world with widespread poverty, mass surveillance, and giant corporations. The newest film version loses some of its critique.
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And on Apple TV, a touching and surprisingly funny new documentary about the poet Andrea Gibson and their struggle with cancer.
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Sirāt tells the story of a man searching for his lost daughter at a rave in the Sahara Desert. Though it carries echoes of earlier cinema, nothing about this film feels derivative or secondhand.
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Joachim Trier's drama centers on the complicated relationship between a filmmaker and his grown daughters. But for every perceptive moment in the film, there's another that feels coy, even complacent.
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The new film portrays Hitler's second-in-command, Hermann Goering, as a wily mastermind, sidestepping uncomfortable questions about how unexceptional evil can be.
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Clint Bentley's intimate historical drama, Train Dreams, is set in the age of the steam locomotive and westward expansion, and centers on a logger in the Pacific Northwest.
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A riveting domestic drama from the director of The Worst Person in the World and a gorgeous historical drama set in the early 20th century are also on this weekend's movie slate.
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Director Yorgos Lanthimos' latest is about cousins who kidnap a CEO, convinced she's an alien.
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In this wickedly funny dark comedy, Emma Stone stars as a high-powered CEO who gets kidnapped by a low-ranking employee, played by Jesse Plemons, who believes she's an alien from outer space.